This is the official listing of the TCCBDA All-State Audition Material. All corrections and errata will become official only when it is posted on the TMEA site. Please check it FREQUENTLY to be certain you have the most up-to-date errata. If you have questions about these etudes or the errata, please contact the TCCBDA Vice President.
NOTE: New audition format instructions coming soon.
IMPORTANT:
TMEA and TCCBDA etude numbers (Etude 1, Etude 2) may not be the same!Book: Flute Etudes Book
Mary Karen Clardy
European American Music Corp. or Schott
EA 764 0-913574-96-1
Etude 1: Andante cantabile
Tempo: Quarter Note= 56-66
Pg 42-43 Etude #27
Cut: Begin at Measure 17, End at first not of Measure 36
Etude 2: Leggero e veloce
Tempo: Dotted Eighth Note= 110-120
Pg 24 Etude #16
Cut: Play from Beginning to end
Errata:
m. 7 - 7th note in measure is an A natural. Accidental does not carry to this octave.
m. 13- should have a crescendo and NOT a decrescendo.
m. 15, last note should be F-sharp, not A
ms. 4 and 11, the eighth note should be a dotted eighth note.
Book: Artistic Studies, Book 1 - From the French School (Rose40,32,and 9 Caprices
David Hite
Southern Music Company
B362
Etude 1: Allegro Brillante
Page 94-95, #9
Tempo: Quarter note= 108-116
Cut: Begin on Measure 50(Page 95) and play to end of piece.
Etude 2: Adagio
Page 60 #14
Tempo: Quarter Note= 52-56
Cut: Play from the beginning of Measure 13 until beat fermata at measure 32
Book:
Artistic Studies, Book 1 - From the French School
David Hite
Southern Music Company
B362
Etude 1: Moderato
Page 37 , Etude #35
Tempo: Quarter note = 84-100
Cut: Begin at measure 25, play to end of piece
Errata: Measure 32: beats 3&4 should be under one slur as in measure 34
Etude 2: Adagio non troppo
Page 59, Etude #13
Tempo: Eighth note = 92-104
Cut: Begin at Measure 17 play through beat 2 of measure 48
Errata: 1. Measure 36: Add slur on each 16th note triplet on beat 3 as in measures 37-38
2. Contra clarinets play measure 26 down an octave.
Book:
48 Famous Studies for Oboe or Saxophone Ed. W. Ferling, Rev. Andraud, Pub. SMC, Edition: B103
Etude 1: Scherzando
Page 12 Etude #24
Tempo: Dotted quarter note= 60-72
Cut: Play from beginning to end
Etude 2: Andante Cantabile
Page 3, Etude #5
Tempo: Eighth note = 68-76
Cut: Play from beginning through the first note of measure 25
Errata: Measure 17 is a tempo
Book: Concert Studies, op. 26, vol. 1
Kovar
International Music Co.
467
Etude 1: 17 Adagio cantabile
Page 39, Etude #20
Tempo: Quarter note= 46-56
Cut: Begin at measure 53, play to end
Etude 2: Allegro
Page 25, Etude #13
Tempo: Dotted Quarter note= 66-80
Cut: Begin at Measure 60(at the key change) and play to the end
Book: 48 Famous Studies for Oboe or Saxophone
W. Ferling
Southern Music
Etude 1: All furioso
Page 6, Etude # 12
Tempo: Quarter note= 116-132
Cut: Play from Beginning to the end of measure 12
Etude 2: Andante Amabile
Page 15, Etude #29
Tempo: Eighth note= 76-88
Cut: Play from Beginning and play to the end of Measure 16
Book: Book Title: Fourteen Characteristic Studies
Editor: J. B. Arban
Publisher: Carl Fischer
Edition: W2527 0-8258-2028-6
Etude 1: Etude No. 9
Page 13
Tempo: Quarter note= 90-94
Cut: Play from beginning to beat 3 of measure 24
Etude 2: Etude No. 12
Page 16
Tempo: Quarter note=80-100
Cut: Begin at measure 21(Cantabile, key change) and end on the downbeat of measure 44
Book:
40 Characteristic Etudes for French Horn – H. Kling
Etude 1:
No. 2 – Souvenir d’ Auber (Moderato)
Page 4, Etude No. 2
Tempo: Quarter note= 70-82
Cut: Play from the beginning to the end of measure 32
Etude 2: Allegretto
Page 14, Etude No. 17
Tempo: Dotted quarter note= 50-60
Cut: Play from beginning to Measure 32 (stop before last eighth note)
Book: Selected Studies for Trombone
H. Voxman
Hal Leonard/ Rubank
Etude 1: Gb Major- Adagio cantabile
Page: 30
Tempo:Quarter Note = 68-76
Cut: Play from the beginning and end on the 2nd note of measure 24
Etude 2: Allegretto
Page 10-
Tempo: Dotted Quarter note = 80-102
Cut: Play from the beginning to the end of measure 36
Errata: M. 28- 5th note should be D#
Book: 24 Studies for Bass Trombone, Grigoriev/Ostrander
Etude 1: Lento
Page 25 Etude #23
Tempo: Quarter note=60-68
Cut: Play from the beginning and end on the first note of measure 24
Errata: M.19- beat one, place a tenuto on the low Bb
Etude 2: Maestoso
Page 8 Etude #3
Tempo: Quarter note= 104-112
Cut: Play from the beginning and end on the first note of measure 34
Book: Selected Studies
H. Voxman
Rubank / Hal Leonard
No. 160
HLO4470730
Etude 1: Bb Major- Adagio Cantabile- Gallay
Page 2
Tempo: Quarter note=64-76
Cut: Play from beginning and play to the first note of line 8(Half note Bb), No repeats, take 2nd ending
Etude 2: A minor- Allegretto grazioso- Gatti
Page 21
Tempo: Quarter note=96-120
Cut: Begin line 5, 2nd measure beat 1 (Measure 22), Play to the end of piece (no repeats)
Book: 70 Studies for BBb Tuba Volume I – V. Blazhevich (Robert King Music)
Etude 1: #27 Allegro
Page 26
Tempo: Eighth note= 150-200
Cut: Start in Measure 27 at Tempo I and play to end of piece
Etude 2: #38 Andante con moto
Page 44-45 (45)
Tempo: Quarter note= 78-92
Cut: Start in Measure 28 at Tempo I(Page 45) and play to end of piece
The Solo Snare Drummer by Vic Firth
Etude #14
Page 17,
Cut: Begin at measure '9' and play to the first note of measure '19'. (All Errata Observed)
Tempo: Quarter Note = 140 - 150
Musical Etudes for Advanced Timpani by Ron Fink
Etude #1
Pages 27-28
Cut: On page 27, begin on the downbeat of measure '44', where (6/8) meter begins, and play through measure '66' on page 28. (Errata not applicable at this time)
Tempo: Measure '44', the dotted quarter note = 104 - 110
Goldenberg Modern School…. by Morris Goldenberg - 2 Mallets
Etude XXV
Page 83
Cut: Begin on the downbeat of measure '13' and play to the downbeat of measure '29'. (Errata not applicable)
Tempo: Dotted Quarter Note = 56 - 64
Fundamental Solos for Mallets by Mitchell Peters - 4 mallets
Etude: Sojourn
Pages 18-19
Cut: Begin on the downbeat of measure '19' and play to the downbeat of measure '37'. (Errata not applicable at this time)
Tempo: Dotted Half Note = 48 - 54
Etude 1: Songs Without Words, Op. 62, No. 5 "Venetianisches Gondellied” (Mendelssohn), Beginning to downbeat of m. 21
Etude 2: Sonata, K. 421/L. 252 (Scarlatti), Beginning to fermata in m. 30
Etude 1: 57 Studies, Vol. 1, #22 (Storch-Hrabe/Zimmerman), m. 1 to end of m. 12
Etude 2: 57 Studies, Vol. 1, #28 (Storch-Hrabe/Zimmerman), m. 60 to end of m. 72
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